oscar nominations 2011
I didn't get out to the movies very much this year. Maybe three or four times. I saw a bit more than that on DVD, but still. In any case, any Oscar picks by me this year would be even more silly than usual.
However, it's traditional. So I figured I would write down my more random thoughts on the nominations.
Best Picture:
I've seen four of the ten: Inception, The Kids Are All Right, The Social Network and True Grit. I'd be interested to see four more: Black Swan, The Fighter, 127 Hours and Toy Story 3. My sister said Winter's Bone sucked--you heard it here first. The King's Speech looked to me, from the very first time I saw a trailer for it, to be unchallenging, middlebrow Oscarbait. By a remarkable coincidence, it's also the favorite. Although I'm not thrilled by the prospect, at least if it does well, then we are likely to get more Colin Firth in the future, which I consider a good thing. Let's just hope he does do a whole series of films about privileged characters heroically and tear-jerkingly overcoming mild adversity.
Best Director:
I'm a fan of 4 of the 5--everyone but The King's Speech's Toby Hooper. That's weird. I must be approaching the age of the average Academy voter. Gross! I'm pulling for Fincher here. I think I own DVDs of all of his movies, except Zodiac but including Alien 3. If you don't think that's dedication, you have seen Alien 3.
Best Actor:
I guess this will be either Colin Firth or Jeff Bridges. Eisenberg and Franco are too young, and Bardem's already got one.
Best Actress:
Wow, I only saw one of these. Natalie Portman would be a nice surprise. She seems like she would be a good actress, given decent material, but she surprisingly hasn't had a lot of opportunities yet. Maybe her work in Black Swan will turn things around. Also weird that Julianne Moore didn't get a nod. In The Kids Are All Right, she plays a much more of a focal (and more interesting) character than Benning. 'You're a wine drunk. We get it already. We all saw Sideways too, you know.'
Best Supporting Whatever:
Let's just skip these, shall we?
Best Screenplays:
This could be Inception's consolation prize. And I hear that The Social Network's script was interesting and complicated too, but I must confess I was decidedly meh when I first saw it.
Best Animated Feature:
Is there a reason they don't just call this particular award 'The Pixar'? The category was created to accommodate that company, so I don't see why they don't just make that clear...
Best Foreign Language:
'And the dartboard says....'
Best Documentary:
Exit Through the Gift Shop needs to win, because I want to see what Banksy does in lieu of actually accepting the award in person. Oh wait, I already know: he will send Thierry Guetta instead. How great would that be!
Best Rest of the Categories:
You are all special in your own way. And I know nothing about you.
That is all.
1 comments:
Black Swan is creepy as hell and very interesting - a great bookend for what was done with The Wrestler. It's definitely worth checking out. The Fighter is decent, but it's really 100% Christian Bale with everyone else just tagging along. I can't make myself watch 127 Hours due to sheer cowardice. Toy Story 3 was, IMHO, very weak (for a Pixar film) and a VERY strange choice for Best Picture. I thought The King's Speech was good, but not great. Worthy of a nomination, but not a win. I'd be happy to see True Grit, Black Swan or The Social Network win and will burn Hollywood to the ground if Inception gets the award.
In terms of Best Director, I actually think Hooper's got a good (and appropriate) chance. He basically shot the entirely film in two or three rooms and each successfully evokes all the right emotions, even when we've seen them before in different contexts. I think Hooper or Aronofsky should win (and am thrilled that Nolan wasn't nominated).
Agreed on Best Actor (my money is on Firth since Bridges won last year for a comparably scruffy, booze-addled role).
Best Actress pretty much HAS to go to Portman. She went down the "How to Win An Oscar" list and checked every box. Lost an unhealthy amount of weight for the role? Check. Straight actor doing same-sex love scenes? Check. Commenting on a comfortably damnable subject? Check.
Don't skip supporting actor! This is where Batman finally wins an Oscar! For supporting actress, the choices are bizarrely weak (except for Hailee Steinfeld).
Screenplay should go to The Kids Are All Right, but will probably go to Inception, despite the fact that its screenplay basically just involved randomly layering locations and arbitrary dialog into a thick, festering pile of lame.
I couldn't possibly agree more about Best Documentary. The novelty of a Banksy acceptance is obviously irresistible, but it was also a really, really interesting film that - regardless of its "actual truth" - makes an blistering commentary on the process of modern advocacy documentaries.
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